What began as chasing my own iconic “look” turned into a study of how light shapes memory, mood, and small human details. I started by trying to recreate a film feeling in digital, refining grain, softening tones, shaping halation, then stabilising the look so it holds across anything I shoot, from phones to medium format. After years of daily shooting and iteration, the goal shifted away from dramatic sharp edits toward preserving atmosphere, letting an image feel the way it did when I was there.